Big & Heavy
Important Ancestor Figure Kabriman Village, Blackwater River Basin, Papua New Guinea.
Older Big Very Heavy iron Wood Important Female Ancestor Figure
Kabriman Village, Blackwater River Basin, Papua New Guinea.
POWERFULLY DECORATIVE POLYCHROME SCULPTURE !!!
Item 40A8 in our inventory
From remote region of PNG.
Rare Hand carved interesting Clan totem effigy, Ancestral Female Spirit cult figure colored with natural pigments the same way the tribe colors their own faces.
Papua New Guinea Primitive Art.
Measures: 25" X 4"
Oceanic Art South Pacific Art
Hand Painted with natural rust, white and black pigments. This is a ritually used piece and would have stood in a men’s house during secret ceremonies and initiations of young boys.
It was hand carved with primitive tools and touched with black, white and reddish clay pigments, made from natural sources which are still very bright.
Masks, statues and carvings of Papua New Guinea’s cultures serve a variety of spiritual, cultural and decorative purposes. Most of the carvings found in PNG are from the Sepik region, where the production and use of masks, among other things, is an important part of traditional culture. Ancestral masks, for example, represent deceased clan ancestors, totemic creatures that assist the tribe by interceding on a high plane to provide food, prevent and cure illness, while spirit masks embody tribal spirits who inhabit the surrounding jungle, & may come to the help of the tribe to counterattack sorcery spells meant to arm them.
Ancestors assist one's life by interceding on a high plane to provide food, prevent and cure illness, acquire stature, and counter sorcery attempted via the ancestor spirit plane. These are examples of beautiful rare original standing masks of Ancestral figures from Papua New Guinea (above and next page): hand-carved wood adorned with rattan basketry, cassowary feathers and hand-painted with clay-based colors, shell eyes & clan animal at the top.
If a village or clan has a lot of bad luck, the whole group may change their names and buy the rights to use masks from another clan in a different village in an attempt to fool the bad spirits or sorcerers. The resulting masks usually display characteristics of both groups. Each Sepik River village otherwise is independent and has a distinctive style. No two masks can ever be exactly the same either. Each is crafted by a different artist, representing a different ancestor or spirit, and is therefore unique. (As a matter of fact, copying is forbidden and sentenced by local law unless there is a formal agreement between the parties involved.)
The men carve masks from indigenous wood. Paint is made from earth pigments and charcoal. Masks can be decorated with shells, pig tusks, and Cassowary feathers. Few masks are worn directly over the face, which explains why many lack holes for eyes. They may be part of a large cone-shaped wicker framework for a dance costume called a tumbuan. Other masks are made only for display in the men's Haus to attract powerful and useful spirits. Masks often refer to a clan totem such as crocodile or eagle usually represented carved on the forehead. New masks may appear when a man dreams a spirit and carves a mask to represent it.
All our collector and rare items come with pages and pages of research about provenance, and with history of the tribes and photos as well, depending on item and whenever possible. When shipping internationally, we group ship multiple purchases to save you money, and find the best rates available. If you have any questions or want to see research conducted on this piece and photos of tribes, let us know.
