Vintage Collectible Sing-Sing Dance Rattle : Tribal Chain of large Seed Pods with Paper Ribbons Decorations, used during Initiation, Ceremonial festive Dances with drums & seed rattles accompaniments. Collected in late 1900’s, Papua New Guinea Highlands.
Tribal Traditional Sing Sing Festival Rattle necklace, body ornament, also used as upper arms or ankle decorations during dance ceremonies with percussion involved.
Older, large, seed pods decorated with paper strips.
What makes this percussion rattle even more interesting is that it is decorated with strips of paper that were torn from a scientist-researcher-teacher notebook that studied in the area for a while, and after he left some of his earlier notes behind, the natives cut them into strips to decorate the seed pods, adding as well some shiny metallic paper that the visitor had discarded. It is possible to read parts of the notes the researcher wrote, such as details relating to the tribe's diet, a disease called kwashiorkor, information on skin becoming scaly as a result of starvation, rickets, and growth and reproduction details, etc, etc.... The rattle make a loud percussion rattle noise a bit like castagnettes.
Very unique.
All Handmade with materials from the premises.
Collected in Papua New Guinea in the late 1900's
Dancer seen wearing one on his ankle on the second picture.
ITEM RAT1
The tribes or Irian Jaya, Indonesia and Papua New Guinea have lived in isolation for centuries due to the remoteness of their land and its difficult access. Their dress code has remained primitive for centuries. Traditionally, the men wear no other clothing apart from a penis sheath made of a cultivated gourd and known locally as a “horim” and some simple ornamentation such as string hair nets, bird of paradise feathers and necklaces with boar tusks or cowrie shells or other. On ceremonial days, it is another matter, they then use material from the surrounding jungles to create incredibly colorful and clever body adornments and costumes, as seen on the photos here as well.
Shell, teeth, bone, wood, beads and natural fiber binding, all crafted with great care, are the raw materials of most Oceanic jewelry. Brightness and shininess were greatly admired, and rarity, as with whale teeth among Polynesians or shell in the highlands of PNG, enabled particular objects to connote wealth, prestige, and power.
Adornment among the highland people is among the most colorful and spectacular in Papua New Guinea, particularly during festivals, where it reflects the strength and pride of the various groups of the region.
Artistic expression, there, is conveyed largely through body art. Diverse in both media and application, the major components of Highlands body ornamentation as we mentioned above include bird of paradise plumes, body paint, and an enormous variety of decorative objects made from shell, teeth, beetles, orchid stem, fur, bone, bark, wood, and fiber. Moriarty recognized the importance of this art and its central position in the broader context of art. A visionary in any age, he not only developed a unique collection of body decoration from the Highlands of New Guinea collected between 1850 and 1880, but saw to it that this collection remained intact by donating it to the AGNSW. Today it is part of what is possibly the world's most important accumulation of this art.
We carry many other artifacts we collect direct from the tribes, in East and West Papua and the Trobriands and remote islands of Indonesia
All our collector and rare items come with pages and pages of research about provenance, and with history of the tribes and photos as well, depending on item and whenever possible. When shipping internationally, we group ship multiple purchases to save you money, and find the best rates available. If you have any questions or want to see research conducted on this piece and photos of tribes, tell us.